Graduated Film Studies (BA and MA) at King's College London, UK. Currently, he writes for Collider, WhyNow, The Upcoming, Ayo News, Interia Film, Przegląd, Film.org.pl, and Gamepressure.com. He has had publications in FIPRESCI, Eye For Film, British Thoughts Magazine, KINO, Magazyn PANI, WP Film, NOIZZ, Papaya Rocks, Tygodnik Solidarnosc, and Filmawka. He has also collaborated with Rock Radio and Movies Room. Conducted interviews with Alejandro González Ińárritu, Lasse Hallström, Michel Franco, Matthew Lewis, and David Thomson. His published works include an essay in the anthology "Nikt Nikomu Nie Tlumaczy: Swiat wedlug Kiepskich w kulturze" (Brak Przypisu Publishing, 2023). Laureate of the Leopold Unger Scholarship in 2023. Member of the Young FIPRESCI Jury during WFF 2023.
The American, 20th-century epic of greed, lies, fake countenances and corrupt souls. Here’s a review of Martin Scorsese Viewed at London Film Festival.
There’s a lot that you could accuse this series of today. But so what, if most movie freaks are still eager to see the new Bond, and the world can’t stop looking for a heir to Daniel Craig?
The Wonderful Story of Henry Sugar is the latest film by Anderson, which (finally) is less exalted, cooler and, most importantly, done with elan.